Carnegie Center: “Artists Aberlyn, Rebeka Sweetland, and Katy Traughber share work that embodies the sanctuary they create for one another as women makers.”

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Aberlyn, Rebeka Sweetland and Katy Traughber are the artists, and as a self-interested confession, Katy was engaged by Joe Phillips to coordinate the decor on the first floor of Pints&union. In fact, the Green Mouse thinks there’ll be an after party at Pints&union following the reception. 

SPAWNING GROUNDS
August 3 – September 22, 2018

Friday, August 3, 2018
Members-Only Curator & Artists Talk | 5:30 PM
Public Reception | 6:00 – 8:00 PM

“For women, then, poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.

As they become known to and accepted by us, our feelings and the honest exploration of them become sanctuaries and spawning grounds for the most radical and daring of ideas. They become a safe-house for that difference so necessary to change and the conceptualization of any meaningful action. Right now, I could name at least ten ideas I would have found intolerable or incomprehensible and frightening, except as they came after dreams and poems. This is not idle fantasy, but a disciplined attention to the true meaning of ‘it feels right to me.’” –Feminist Audre Lorde, “Poetry is Not a Luxury,” Sister Outsider: Essays and Speeches, 1984

Inspired by the Audre Lorde quote above, artists Aberlyn, Rebeka Sweetland, and Katy Traughber share work that embodies the sanctuary they create for one another as women makers. The artists feel the Lorde quote also reflects their individual works both in a cerebral and physical sense.

“The conversations we were able to have based on this idea were really powerful. There is something very nurturing and yet fleshly… and the tension between the two also reflects the energy of our pieces.” –Katy Traughber

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